CLUSTER: “Zuckerzeit” limited 50th Anniversary LP

CLUSTER: “Zuckerzeit” limited 50th Anniversary LP


CLUSTER: “Zuckerzeit” limited 50th Anniversary LP. Released 24th June 2024

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CLUSTER: “Zuckerzeit” limited 50th Anniversary LP. Released 24th June 2024

Limited 50th Anniversary Edition: 180g vinyl, hand numbered, 1000 copies worldwide

In 1974, Cluster entered the sugar era. This doesn’t mean that they had finally arrived in their promised
land, but they had simply moved from Berlin to the country, to a small place called Forst on the river
Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had
moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set
up their own studio and had bought new equipment. As a result of this and many other things, new
impulses were noticeably spurring the evolution of their music. The album Zuckerzeit (“sugar era”)
launched a revolution for Cluster.

Strictly speaking, Zuckerzeit is not ­really an album by Cluster. More pre­cisely, the LP contains two mini
solo al­bums by Moebius and Roedelius. Those who were familiar with the stylistic pe­culiarities of the
two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had
not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet.
What could be clearly heard, though, was that there were two different musical attitudes to be found
on one album. One thing they did have in common was the consistent use of the analogue rhythm
machine. This was something new for Cluster inasmuch as on their last album Cluster II, they had still

focussed on completely different methods that were to give structure to the pieces. Zuckerzeit, on the
contrary, is designed in a clearly rhythmical way: a rhythm machine, triggered synths and harmonic
patterns played by hand inspired life and imagination on the melody lines: This was different as well.
Once again, Roedelius and Moebius took on work in such a remarkably light-hearted and down-to-earth
manner as was typical of Cluster. Zuckerzeit is light and cheerful, freed from the Germanic gravity and
the mystic incense fumes that were so fashionable at the time. Cluster man­ aged to keep both feet on
the ground without becoming plain or even sterile.

The friendliness of the music is clear­ly due to the two personalities of Roedelius and Moebius; its
down-to-earth character possibly comes from Michael Rother, the album’s co-producer. Michael Rother
had already performed with Kraftwerk and had founded the band NEU! together with Klaus Dinger
before moving to idyllic Forst himself in 1973. The same year, the band Harmonia (Roedelius, Moebius,
Rother) was born. The music might also have been influenced by the lovely environment of the hilly
countryside surrounding them. We are told that some of the visitors to Forst had believed themselves
in Tolkien’s Shire, although nobody had ever seen hobbits in the area. Maybe this impression was an
all too romantic one.

Yet, those who have experienced this peaceful atmosphere for themselves may at least be able to
understand what we are talking about.

By then, Cluster could finally call themselves lucky owners of their own recording equipment
consisting of a multi-track recording machine, a mixer and peripherals. This gave them the possibility
to develop and record their Zuckerzeit material without precipitat­ing things or having to depend on
other people. So they did everything on their own except for the finishing which took place in the
studio of Conny Plank, the sonic magician of their early days, something which vitally accounted for a
successful outcome by the way. One has to admit that technical equipment at Forst was not quite up
to the standards even of that time. Moebius and Roedelius, however, knew how to make use of the
devices they had in such a skilful way that it almost seemed ob­solete to consider working in large and
professional studios in the future. So, many years were yet to go by until Cluster set foot in a studio
other than their own again, this time not only to do the finishing but also the recordings.

When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is
first of all the shortness of the tracks that seems most striking (2’20” to 6’10”). Listeners who were
expecting long and booming pieces were badly advised with this album—what kind of trip is this that
lasts for six minutes only? Those who loved listening closely and who were fond of sophisticated, varied
and elaborate music could not be more satisfied though, because every single one of the ten pieces is far
from being boring. The fact that Cluster worked in such a calm and collected way, that they concentrated
on their musical ideas instead of ­losing themselves in long-windedness, that they took their time
working on the album and not least that they could rely on the ideas of their co-producer Michael Rother
—all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary
in the 1970s as they still do today. Nothing reminds us of psychedelic music that was common at the time.
Instead, we find transparency, a hint of utopia and above all new sounds and noises, something which
was unheard of in popular music until then. Even fifty years after its first release, Zuckerzeit might easily
figure as a reverberating chapter in the latest edition of the imaginary handbook “The Golden Rules of
Electronic Music”.


A1 Hollywood
A2 Caramel
A3 Rote Riki
A4 Rosa
B1 Caramba
B3 Fotschi Tong
B4 James
B5 Marzipan
B6 Rotor
B7 Heiße Lippen

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